In this female-fronted Shakespearean interpretation, we are reminded of the antisemitism and prejudice that still pervades contemporary society.
All tagged Feminist Theatre
In this female-fronted Shakespearean interpretation, we are reminded of the antisemitism and prejudice that still pervades contemporary society.
This wild and chaotic production is a testament to the fact that no two experiences of motherhood are the same.
For centuries scholars have dissected the power of female characters in Shakespeare’s Macbeth. Now, in this new adaptation by Christopher Haydon, Macbeth herself questions the same.
It’s 2080 and the world is still no place for two women on their own. Mother Courage and Her Children is a story of unrelenting action, omnipresent political undertones, and a woman who adapts to survive - whatever the cost.
Mighty Heart’s last hurrah pays tribute to a troubled past, swims in happy memories, sharply comments on today’s society and speaks to future generations with hope and guidance. That’s no mean feat for two women in just an hour on stage.
The latest explosive collaboration from Unlimited theatre and, feminist favourites, RashDash, brings us into the realm of artistic sci-fi. A montage of two-person sketches explores the human relationship with the machine from a scattergun of different angles. Ultimately, Future Bodies becomes a question of the human relationship with our own corporeal being.
OthelloMacbeth brings together two of Shakespeare’s great tragedies. Promising to bring ‘the voices of some of Shakespeare’s most iconic female characters [...] to the fore’, this combination of plays reeks of ambition.
The eponymous Queen is interestingly mute for the first few scenes of this feminist re-framing of history. We are firmly grounded in the patriarchal realm of Renaissance drama (indeed, all drama), ready to be sprung into a new orbit.
“Fuck you and your excellent words.” Questioning how actors and audience ought to interact with the canon, RashDash explode onto the stage to fight for an artist’s right against the dictatorial bonds of the script.
Her Not Him speaks to deep-set issues surrounding fidelity, age, gender, sexuality and, ultimately, acceptance. From ‘Lughnacy Productions’, a recently formed, female-led theatre group, this play epitomises the company’s ‘female and LGBTQ focus’. Her Not Him balances humour with some touching moments of resonating honesty. ...
‘Snapper Theatre’ brand themselves as ‘feminist theatre-makers and storytellers embracing the universal and specific’. Aiming to delve deeper into this provocative and inclusive claim, I caught up with one of the founding collaborators, Lucy Foster, to learn more about ‘Snapper’s theatrical and political aims, and their latest venture: Lobster.